02-09-1875: The 1875 Victorian Exhibition Catalogue.

Ferguson & Urie exhibited their stained glass work at the Victorian Intercolonial Exhibition which was opened on the 2nd of September 1875. The official catalogue of exhibits, page 47 Group 4, listed Ferguson & Urie as well as former business partner John Lamb Lyon as Lyon, Cottier & Co of Sydney, exhibiting along side each other. The articles make mention of “Mr Clarke’s mansion, Sunbury” known as Rupertswood, now operating as boutique accommodation and events venue. The Rupertswood windows, span two floors and contain scenes of hunting and countryside that were the work of the firms senior stained glass artist David Relph Drape, some of which have Drapes name hidden within the scenery.

The Victorian Intercolonial Exhibition Catalogue 1875, page 47.

– LYON, COTTIER & CO., Sydney, New South Wales. Stained Glass Stairwell Window. Subject – “Captain Cook”.
FERGUSON & URIE, 10 Collins-street East, Melbourne. Staircase on wall Window, “The Seasons”, Staircase on wall Window, “Rob Roy”, Portion of Staircase Window for Mr. Clarke’s mansion, Sunbury, Embossed Plate Glass for do, “Chillingworth Wild Cattle”, “The Maries at the Tomb”, “The Charge to Peter”, Samples of margins.


1. “The Seasons” – unknown (possibly Mandeville Hall, Toorak).
2. “Rob Roy” – unknown.
3. Clarke’s Mansion Sunbury – This is ‘Rupertswood’ – All stained glass is extant.
4. “Chillingworth Wild Cattle” – This may be the window depicting cattle at Clarendon Eyre Mansion (formerly Springbank built 1879) at Bulleen.
5. “The Maries at the Tomb” – unknown.
6. “The Charge to Peter” – unknown.

The Argus, Melbourne, Friday 3rd September 1875, page 3s

“The exhibits of Messrs. Ferguson and Urie, Nos. 120-121, afford gratifying proof of the demand which exists amongst us for works of decNotes:orative art, and the designs for the works which have been executed by them give us some idea of the extent to which the local manufacturers of painted glass have drawn upon in the decoration of our churches and large dwellings. The designs of almost all these, as well as that in the specimens exhibited, are excellent – lacking, if anything, in boldness – the colours in almost all instances being rich, and at the same time harmonious. Messrs. Ferguson and Urie have, we suppose, to consult the taste of their patrons, which is, we do them the justice to believe, the reason why a picture on glass of Chillingham Cattle has been prepared. Nothing more contrary to the true principals which should have been kept steadily in view in this development of art could possibly be conceived. As an illustration of glass painting of quite a different, but at the same time more boldly artistic school, attention must be called to a staircase window, designed as a memorial of Cook, the navigator, the seated figure being designed by a thorough artist, and the patterns containing illustrations of the typical animals and birds of Australia being especially worthy of notice. The colour is, however, wanting in richness. This exhibit is from the workshops of Messrs. Lyon, Cottier, and Co., Sydney.”

Excerpt from Intercolonial exhibition 1875 – Official Catalogue Advertiser:

“FERGUSON & URIE, GLASS STAINERS, No. 10 Collins Street East. Memorial, Heraldic, and Grisaille; Stained Glass Windows for Churches and other Buildings, executed at the Stained Glass Works, Curzon-street, North Melbourne. Illuminated Commandments and Wall Decorations; Embossed Plate and Sheet Glass, any pattern; Lead Lights in Cathedral, Crown, Sheet and Ornamental Glass. Designs submitted with Estimate of Cost. Awarded two Medals, Melbourne Exhibition, 1867. Stained Glass Works, Curzon-street, North Melbourne”.


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